AEO Answer · Convention Centers & Arenas

How Are Arena Rigging Loads Calculated for Concert Tours?

By Jeremy Mills, CEO & Founder, Apex Grid Engineering — USAF Veteran. · Updated 2026-09-15

Arena rigging loads are calculated as concentrated point loads from the tour's rigging plot — truss, motors, lighting, audio, and video plus dynamic factors — checked point by point against the roof's rated rigging capacity with a stamped verification per production.

I'm Jeremy Mills, CEO & Founder of Apex Grid Engineering and a U.S. Air Force veteran. I'm not a PE; our licensed professionals make the technical, compliance, and project-specific decisions.

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From rigging plot to point loads

The tour's rigging plot is the starting document: every hoist location, every load, every truss and bridle connection. I convert that plot into concentrated point loads applied to the roof structural model at the exact attachment coordinates, adding the weight of the house rigging steel, motors, and hardware that the tour's numbers sometimes omit. Dynamic amplification goes on anything that moves. The loads are then checked against member and connection capacity at each point — chord, purlin, connection, bridle — because arena roofs are governed by local effects. An averaged uniform load check would pass a roof that fails at a single overloaded connection.

Rated capacity as a venue asset

The roof's rated rigging capacity — maximum allowable load per point or zone — is a documented engineering asset owned by the venue, established by the structural engineer of record. Every touring plot is checked against it before load-in, and the review produces a marked-up plot: approved points, required bridles, exclusion zones. When the roof structure is modified, the capacity documentation is reissued; when house rigging steel is added, it is rated too. Keeping this documentation current is what lets a venue say yes to the next tour quickly — the capacity is known, so the check is fast.

Arena rigging structural checklist

A rigging structural review is ready when it clears this checklist. The roof's integrity is the thing this list protects. • Tour rigging plot reviewed point by point against the roof's rated rigging capacity • Dynamic amplification applied to moving loads, flying systems, and hoisting operations • Local checks at each attachment: member, connection, and bridle capacity • Marked-up approved plot with required load-spreading and exclusion zones • House rigging steel inspected on schedule and capacity documentation kept current

What else do project teams ask?

What is a rigging plot and why does it matter?
It is the tour's engineering drawing showing every hoist point, the load hanging from each one, and how the points connect into trusses and bridles. The plot is the input to the structural check — without it, nobody knows where the loads land or how heavy they are. I review the plot against the roof's rated capacity point by point, marking approved locations, required load-spreading, and exclusion zones. No plot, no hang: rigging without a reviewed plot is how roofs get overloaded.
How much weight does a concert tour actually hang?
A major touring production commonly hangs 60,000 to well over 100,000 pounds: aluminum truss, chain motors, moving lights, line-array audio, LED video walls, and sometimes scenic elements or performer-flying systems. It arrives as dozens of concentrated point loads, each one landing on a specific piece of roof steel. The total matters less than the distribution — 100,000 pounds spread correctly across rated points is fine, while 20,000 pounds on one unrated purlin is a problem.
What are dynamic loads in arena rigging?
They are the multiplied forces from anything that moves: kinetic light sculptures, flying performers, moving scenic pods, and loads that swing during hoisting. A moving load imposes forces above its static weight, and the amplification factor comes from the equipment manufacturer or the rigging engineer based on the motion profile. I apply those factors in the structural check rather than treating everything as static. Ignoring dynamics is the classic error — the load that matters is the load in motion, not the load at rest.
What happens when a tour's rigging exceeds the roof capacity?
The plot gets reworked before anything goes up. Options include redistributing the load across more points, engineering a bridle that spreads one heavy point across several structural members, or requiring the tour to cut weight from the production. What does not happen is hanging it anyway — the rated capacity is a hard limit set by the structural engineer of record. The venue's rigging policy, the capacity documentation, and the per-show verification exist precisely so this conversation happens on paper, days before load-in, instead of in the air.

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